![]() ![]() Through it all, Nussbaum recounts her fervent search, over fifteen years, for a new kind of criticism, one that resists the false hierarchy that elevates one kind of culture (violent, dramatic, gritty) over another (joyful, funny, stylized). More than a collection of reviews, the book makes a case for toppling the status anxiety that has long haunted the “idiot box,” even as it transformed. The book also includes a major new essay written during the year of #MeToo, wrestling with the question of what to do when the artist you love is a monster. There are three big profiles of television showrunners-Kenya Barris, Jenji Kohan, and Ryan Murphy-as well as examinations of the legacies of Norman Lear and Joan Rivers. She explores the rise of the female screw-up, how fans warp the shows they love, the messy power of sexual violence on TV, and the year that jokes helped elect a reality-television president. In this collection, including two never-before-published essays, Nussbaum writes about her passion for television, beginning with Buffy the Vampire Slayer, the show that set her on a fresh intellectual path. ![]() Publisher Synopsis: From her creation of the “Approval Matrix” in New York magazine in 2004 to her Pulitzer Prize–winning columns for The New Yorker, Emily Nussbaum has argued for a new way of looking at TV. “I Like To Watch: Arguing My Way Through the TV Revolution” by Emily Nussbaum ![]()
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